…completed and finalised footage which has been cut at such a late stage from the film that it was fully colored. During the production process, these sequences are trimmed, looked…

…is Wartime London, and we find an older Wendy having to say goodbye to her husband, Edward. He’s been called up for service (leaving rather mistakenly in an American GI…

…or her salt will know that all that archive footage we see of Walt in documentaries and “making of” programs comes from a very small collection of films produced at…

…contribute a wealth of animation voice experience to their roles and help the rather dry dialogue lift off the page. The best lines, of course, go to Timon, the sarcastic…

…upon the four thrones, her rule will be over. Reunited, the children discover that Aslan has made the ultimate sacrifice to save Edmund and must face the Witch with their…

…while this may be true, it was The Sorcerer’s Apprentice that kick-started the whole Fantasia experiment in the first place and Mickey who gives the overall film an identifiable image….

…that puts turns the famously controversial novel into a stage-bound adaptation for the gang. The show doesn’t manage to make it all the way through, however, when the production is…

…that sees the original on-set footage compared with the final film. During Jolly Holiday’s animated section, a split-screen shows pencil test and rough footage on one side, with the final…

…up in a super cool suit, Men In Black style – surely the clothing of someone almost twice his supposed age? The other voices work much better and it’s great…

…the look of the show. While the abomination that was Mickey’s Twice Upon A Christmas truly showed why Mickey Mouse shouldn’t be let anywhere near a computer mouse, this version…

…They Went Thataway, in which the boys play cowboy when Billy The Kid turns up, and The Vampire’s Apprentice, naturally spoofing Dracula, here seen as an aged “old bat” who’s…

…like this. I don’t think it’s down to age or gender either…I’m very happy to sit and enjoy what would be alluded to as being “chick flicks”, intended for any…

…in which a little orange fish loses a parent (actually, both of them here)? Check. The dashing through the waves and playful friendships between young, school age fish? Check again,…

…uneasy choice of going with the 16:9 majority of the presented footage (the interviews, art selections and new graphics) and settled at watching the Disney clips in the wrong ratio,…

…1946’s Northwest Hounded Police, which gives this package its main cover image. As part of the Mounties (“We aim to police”), Droopy is after convict The Wolf (who else?) in…

…are the occasional snatches of some vintage video footage, much more of which I wish we could have seen. In similar fashion, a series of Creator Interviews feature voice actor…

…‘n’ Pop stores of small-town America. Genuinely heartfelt, and by turns excitingly fantasist and struck with a cold realistic streak, there’s a nice emotional message buried in the story as…

…cartoons from the Merrie Melodies and Looney Tunes library right on time, and although there might not be quite as many choice selections as before, there’s a strong case for…

…age lines drawn around the eyes, and she has the figure of an older woman, but one might question the parentage of Ariel’s other sisters, none of whom look like…

…to DVD in a very nice package that makes it clear that distributor Magnolia Entertainment is very pleased to be associated with the film. Director Suzie Templeton had previously won…