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Bolt: Cinzia Angelini – one bold, Bolt animator!
Each animator is an artist in his or her own right, with a unique personality and background that they bring to the character they’re working on. The richer the experience,… |
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The Puppetoon Movie: Volume 2
…would eventually produce or direct such film classics as The Time Machine, The War Of The Words, Destination Moon, and The Wonderful World Of The Brothers Grimm; but the first… |
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Great songs never die: how animation students are bringing a fresh touch to Aria For A Cow
…project is Lead Animator. The film is divided into four acts; I manage two acts (the first and the last one) on the project. As the lead on these acts… |
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Composer Michael Kramer on He-Man And The Masters Of The Universe
…the series, the melodies not only represent the characters, but they can also represent a concept. For instance, Adam’s theme is the melody for Adam, the melody for He-Man, but… |
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Comic-Con@Home 2021 Coverage
…The hosts of The 4:30 Movie podcast return to Comic-Con (virtually, at least) as they curate an all-new theme week of the greatest movies of 1981 in the tradition of… |
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Celebrate Valentines with Winnie The Pooh – Winner Announced!
…entire family from The New Adventures Of Winnie The Pooh! In Catch The Love Bug Game, flying love bugs are on the loose in the Hundred Acre Wood and it’s… |
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For Smurfs: The Lost Village‘s art department, it’s great to feel blue!
…It’s been a pleasure to have them share their labor of love for the film, and their own journey through the Forbidden Forest… AnimatedViews: Noëlle and Patrick, can you tell… |
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2021 Quick Review Recaps
…was. The scores are on a scale of to 10, with being the worst of the worst, and 10 the best of the best. Those scores are saved for the… |
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Dave Metzger’s Wish Comes True…
…I reintroduce it. There are other examples throughout the film. And as far as my own themes for the score, there’s The Kingdom Of Rosas, which is the theme at… |
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The Puppetoon Movie Volume 3
…works. Pal, of course, was the fantasy film maestro who was later responsible for bringing such classic films as The War Of The Worlds and The Time Machine to the… |
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Winnie the Pooh gets star on Hollywood Walk of Fame
The following is a press release and photos regarding the ceremony held earlier today where Winnie the Pooh received a star on Hollywood’s Walk of Fame. The event was held… |
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Composer Philip Klein on Wish Dragon
…The same with the bad guys, the bad goons as they are referred to. They kind of chase Din throughout the movie, and they’re very modern, they look like they’re… |
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Didier Ghez’s They Drew As They Pleased series goes full circle
…have been able to tell this story, in depth and the way I wanted to tell it from the start: through the testimonies of the artists themselves and of the… |
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“It’s been Dave Metzger all along” – the art of arranging WandaVision theme songs
…And then there’s “We Got Something Cooking”, the theme song for the third episode. DM: To me, it was always The Partridge Family, and also The Brady Bunch. It’s a… |
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Production Designer Carlos Zaragoza puts a smile on The Emoji Movie
…but we wanted them to be appealing and relatable to the audience. AV: The film takes places in two worlds: the “real” one and the one within the Smartphone. They’re… |
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Disney historian Didier Ghez takes us for a “Grand Tour” with Walt
…helped tremendously. One of them is the autobiography of the Disney concept artist, Mel Shaw, who was active at the Studio in the 1930s and then again in the 1970s… |
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Winnie the Pooh DVD and Blu-ray in October
…disc will add “Winnie the Pooh and His Story Too” behind-the-scenes featurette, “Original Eeyore Intro,” “Original Tigger Intro,” “Pooh Searches for a Tail”, Sing-Along with the Movie feature, and more…. |
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Winnie The Pooh and new announcements too!
…year before, this one mixes then-new animation with footage from the New Adventures Of Winnie The Pooh television series, but the result “does make up for some of its standard… |
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Pixar’s Paul Abadilla, Sets Art Director on Soul
…time I wanted to honor and carry through on the vision that the Director and the Production Designer had. Because they are the ones that are leading the visual language… |
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A kind interview with the creators of The Boy, The Mole, The Fox And The Horse
…private collections, galleries, and public spaces around the world. His internationally bestselling book, The Boy, The Mole, The Fox And The Horse, was published in October 2019 and holds the… |
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Pixar production designer Don Shank in his element with Elemental
…Fire characters. The rest of the city has dedicated districts for Water, Air and Earth—though since those elements have been there for generations, the areas are more diversified. Since the… |
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Ratatouille: The Adventure at Disneyland Paris: Pixar Creative Director Roger Gould talks about an “animated” attraction
…the interior but also on the exterior of the attraction as we were trying to capture the caricatured feeling of Paris that they had created for the film that Harley… |
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Twenty Questions with the AV Staff
…the moment Superman dons the costume and flies towards the camera for the first time! BEN: The Rescuers, at the Studio 70 cinema, opposite Elstree Studios, in 1977, while my… |
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Composer Germaine Franco on her enchanting score for Encanto
…to her. It’s very simple, in 3/4. And then, when the brothers and sisters are getting their magic, it starts to expand and becomes the Encanto theme, the overall theme… |
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First Winnie the Pooh trailer now online
Disney has just revealed the very first trailer for next summer’s Winnie the Pooh. Although not much is known about the plot at this point, it is said to involve… |
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The Tigger Movie: Bounce-a-rrrific Special Edition
…ways there was at least one outing for Pooh and company that didn’t deserve to be overlooked: The Tigger Movie. The first theatrical Pooh feature since the release of The… |
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The Croods: A New Age
…what they did in the first one. And the filmmakers know there isn’t much story in all this, because they resort to papering over the cracks with the barrage of… |
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Revolving around Revolting Rhymes with directors Jakob Schuh and Jan Lachauer
…the simple logic of those old puppet theatre stages, the flat set elements with their volumes just painted-on, all that became a big influence when we started imagining the look… |
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A Duet with Glen Keane
…was animated first, then CG, and then they used hand-drawn lines around the edges to give Paperman that look. But, to me, the ultimate goal is to have the computer… |
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Disney historian Didier Ghez reveals the hidden art of Disney’s late golden age
…the animated features. The first one helped the animators better visualize the characters in three dimensions and therefore portray them and animate them more realistically. The second one tried to… |
