…although there’s no way to skip around the actual documentary: once strapped in, you’re there for the long run. The additional featurettes pick up on cues from the main program,…

…yet there’s no real reason as to why such a project wouldn’t work in CG, but Tangled’s masterstroke is in the execution, supplementing the new visual approach with lots of…

…too sure about how the characters are placed: Mr Incredible is almost lost in the top left, and there’s an absurd amount of focus pulled towards Elastigirl’s left hand, which…

…If there’s a featurette you’d like to directly access, a menu within Beyond Beauty allows one to select individual clips, although there’s no way to skip around the actual documentary:…

…a much more “Tigger”-centric introduction for the character here, with Cummings also sounding much more like the Tigger of old (and there’s also, here and there, an almost spot-on Sebastian…

…extent until the much more recent Brother Bear. There’s also the obvious love story aspect about it all, too, featuring one of the Studio’s most realistically depicted relationships – canines…

…that there’s no cross-promotion for other Ghibli titles, considering two more were just re-released on Blu-ray. That old Ghibli standard, the Complete Japanese Storyboards (not sure why they specify Japanese?)…

…there’s no Winnie The Pooh Theme reprise although this could be because its supposed to be Tigger’s movie), but there’s a warmth and magic inherent in their words and music…

…pretty suspect!), and there’s a ser-top player edition too, even if there’s not much to do in either version apart from following the lead of the various icons (or “icaans”…

…trying to say. There’s a little speak about the original Rescuers, which seemed to still be revered at that point, and a chance to see the animators at work, including…

…Europe’s glossiest cities. There’s a little recalling of Pixar’s abysmal Cars 2 in some of these scenes, although that’s to be expected given that both films are essentially road movies…

…Impossible touch. There’s also some customary Disney inventiveness in the way Wayne and Lanny manage to achieve their task, although the set-up does suggest a Tex Avery kind of treatment…

…Composing For Characters (7:37) is the set’s only trip to the post-production of Up, to speak with Michael Giacchino about the inspirations for his beautiful score. There’s a reason why…