…about the visual inspirations, drawings, and paintings made for the film. They talk about the thousands of drawings that didn’t make it into the film and what was already there…

…back-cover prodding to visit the Disney Videos site. All in all, there’s not a very varied selection of goodies, but some thought has been put into the games and at…

…title looks a lot better than it does here. Well, there you have it. There’s little that ties to the actual main feature, and as usual the theatrical trailer is…

…each section contains content that you will have seen using the main screen icons, there are little extras to be found here as well. In Asia, there’s a hysterical Multi-Language…

…Stores and theme park shops. This re-issue sees the documentary more widely available, and though specs from the previous release remain exactly the same, there really is a world of…

…whimper that it would have had with Brother Bear, and also with a film created at the original Burbank Studio, rather than a satellite spin-off. There’s no actual problem with…

…by Hercules’ David Zippel at the last moment. There’s no doubting that Schwartz’ take would have been more sombre (perhaps in keeping with the original treatment of the story), though…

…great bonus, and the mere fact of having so many animators on one track meant that there wasn’t any time that someone wasn’t talking (and usually saying something interesting). There…

…concept I can’t recall being repeated to any extent until the recent Brother Bear. There’s also the obvious love story aspect about it all, too, being one of the Studio’s…

…a deeper hole. But when it introduces its own little twist, and breaks free of the comparisons, Cinders III transforms and becomes something entirely different. There’s no real tonal change,…

…up in a gorgeous looking new digital restoration that has new Disney Animation chief John Lasseter’s fingerprints all over it. Though there’s still some gate weave and contrast fluctuations, there’s…

…movies (there’s even one shot, with O’Malley falling off the back of a truck, that’s an exact duplicate of the same scene in Dalmatians), and is at times fairly episodic….

…the lifeless 3D with the 2D linking segment art to see that, while the faces are there, the souls are gone and there’s precious little magic left. Interesting too that…