…exhilarating, making the audience feel as though they are soaring through the sky too. Sanders, of course, is no stranger to this, having been a co-director on the first How…

…the references to Buzz Lightyear from the previous films. The writers have done their homework! Catching all the little things that explain or at least call-back to what toy Buzz…

…to being heavy-handed, and while there are gentle themes of prejudice here, they never in any way feel like a lecture. Contrasting the borderline grotesque appearance of most of the…

…there is a facet of the plot I have to mention that those (like me) who prefer to go into a movie not knowing too much would probably rather not…

…easy to lay on the moral message too thick. Thankfully, the writers don’t fall into the trap. The Bad Guys aren’t that bad when they’re being bad, but they’re also…

…spectrum.” It’s once Elio actually goes into outer space when the movie stops feeling like Pixar’s answer to Amblin Entertainment and more like a perhaps too familiar outing for the…

…the two Inside Out films, the writers had too many conveniently easy solutions for the characters since they could just make up whatever they wanted since they were creating the…

Before they became sworn enemies, Orion Pax (the future Optimus Prime) and D-16 (Megatron) were best friends at the bottom of society on the planet Cybertron. Toiling away in the…

…are about to fight, the more they squint their eyes, the wider the aspect ratio of the screen gets. All of these jokes come so quickly that none of them…

…of the film seemed to stick to the Pratt accent (or Prattcent, if you will). There was one area where the movie shined and that was the animation. To be…