…the imaginative to the downright wearisome. Theodore Geisel, Dr Seuss himself, collaborated directly with Chuck Jones to create cartoons in the 1940s before taking on How The Grinch Stole Christmas,…

…of the time. In 1988, Who Framed Roger Rabbit was the mainstream, proving that Western animation could be a hit among the older teenagers and adults for whom the “cartoons…

…is it with “international espionage” in CG cartoons of late!? It’s this kind of thinking that makes Hood Vs. Evil feel old even before its really found its groove, not…

…Right from the day it premiered, Dumbo was a smash. Critics called it a return to the classic Disney they had known from the short cartoons, the film won Academy…

…the character animators), and a further two Disney cartoons: The China Shop and Music Land, as well as an excerpt from Alice In Wonderland, all here employed to describe how…

…Studio released during the 1970s, it’s a classic Disney short designed with the aesthetics of the 1950s cartoons and some of the supporting characters might have been picked right out…

…to the production design, the artists have fun in their imaginative world, which has seemingly jumped from the classic cartoons of the 1940s into the three-dimensional computer space of today…

…aliasing issues intrude on one’s enjoyment. The other two cartoons are another matter. Both Pontofell Pock, Where Are You? and The Butter Battle Book are dreary-looking affairs, with prominent aliasing…

…labelled the Studio’s most prolific. With a return to full-length feature cartoons after the break of World War II, Disney Studios saw the release of Cinderella, Alice In Wonderland and…

…new AVC transfer offers a fresh look even if the transfer looks interlaced to me and the print still isn’t as clean as other recently remastered cartoons that have been…

…shoes, but it’s an elaborate inclusion and the Louboutin sketch come to life (through Eric and Susan Goldberg’s Cartoons In The Basement) is priceless. A hitherto unseen Alternate Opening (1:13)…

…company grew, and success came in the form of the incredibly popular Mickey Mouse cartoons and the Oscar winning Silly Symphonies, but almost twenty years on a second World War…

…films over the next decade, to many of Max and Dave Fleischer’s strange excursions into the surreal in their Betty Boop cartoons. Out of all the animated methods, stop-motion seems…

…through many of Max and Dave Fleischer’s strange excursions into the surreal in their Betty Boop cartoons, to George Pal’s Puppetoon series in the 1930s, which often featured a terrified…