Amblimation/Universal (1995), CLV, 2 sides, 78 mins, 1.85:1 letterboxed widescreen, Dolby Surround, Rated G
While Universal expands the Balto franchise, Land Before Time-style, into an ongoing series of lamer and lamer direct-to-video knock-offs (which, so far, I have managed to avoid), I remain a fervent fan of Simon Wells’ 1995 original theatrical feature. Produced in London by the Amblimation team (many of which upped for LA when producer Steven Spielberg co-set up DreamWorks), the film is pure quality entertainment. As with Brad Bird’s later The Iron Giant, this is a beautiful film that simply did not find its audience first time around, but thankfully TV screenings and home video have allowed those it is aimed at to discover it for themselves.
Universal Home Video put out a handsome LaserDisc edition of the film shortly after its theatrical run, and even though there isn’t a single extra to be found on the disc (except for the THX mastering), the CLV release is at least correctly letterboxed to the original theatrical framing of 1.85:1, unlike the subsequent DVD issue which was cropped to full-frame to match its DTV follow-ups.
Set during the great snow storm of 1925, Balto follows a half-dog/half-wolf husky through the winter wilderness as he attempts to lead a team through the terrible weather conditions to bring much needed medicine to the town of Nome, Alaska, on the other side of the mountains. It’s an exciting story, and all the more unbelievable for having been based on a true event, although the plot has obviously been reworked to play up the role of our main hero character and take advantage of the animation medium. However, Balto was a real dog and the events depicted in the film did happen, and even though many may know the eventual outcome there is still an air of real drama and uncertainty as to whether Balto can pull of his arduous trek (though it was probably, in “real life”, as much down to the husky riders as well as the dogs that the medicine arrived in time).
As mentioned above, many of the animators either wound up at DreamWorks or jumped ship to Disney’s when Amblin closed its doors, so the animation quality is up there with the best of them. One thing that could have made Balto even better to look at would have been the usage of light and soft shadows on the characters. Although this may have been a conscious style decision, one wonders if the box-office failure of the Amblimation Studio’s previous animated feature film We’re Back: A Dinosaur’s Story, which did contain a lot of effects and CG background animation, meant a tighter budget on Balto that did not allow for this icing on the cake. To appeal to a wider audience, here’s how the film was sold in European countries (notice how the characters here have been given a more rounded “cutesy-Disney” look):
The staging, directed by Simon Wells (The Prince Of Egypt and the live-action The Time Machine remake), works very well, and there are some creative uses of limited CGI, as well as scenes given a polished up look, even though they are rendered in traditional 2D. The movie is strong on dramatic situations, and the main reason that the dog team must continue through the snow has not been dumbed down just because the movie is supposedly for kids. The fact that there are no song moments to stop the flow of the material (although Phil Collins, pre-Tarzan, does pop up as a voice) really helps, and the pace means that the filmmakers always have something interesting up their sleeves. The rest of the voice cast also put in generally fine performances, with Kevin Bacon just right as the serious-minded but soft hearted Balto, Bridget Fonda as Jenna, a friendly female husky, and Bob Hoskins as Boris, the Russian snow goose who is always there to help (and seems to be a distant relation to Uncle Waldo from The AristoCats):
Something both the LD and the DVD missed out on is a silent film made about the courageous dogs in the 1920s. This 30-minute film would have been very interesting to see and provided a historical perspective on the events described. There was also a very good “making of” documentary produced at the time, which was hosted by Simon Wells himself and included some of this silent footage, along with the story of producing the film, and newsreel footage of the real Balto. I’m sure there are some viewers out there like me who would have liked to see what happened after the film’s story had played out (the huskies ended up living out their days in Cleveland Zoo) and these omissions are a missed opportunity to educate and inspire.
As the animation fans that you are, I’m sure you’re well aware of this overlooked film, but if not I urge at least a VHS or DVD rental. If you have the capability to play LDs, I’d definitely say to look out for a copy of the widescreen disc and snap it up – if you’ve seen it you’ll know that Balto is a great little animated adventure movie, and the wider framing really does open the scope of the film up. By the way, the statue above of the title character that is featured in the live-action bookends of the film really does exist. He’s right there in Central Park, and last time I was in New York, I stopped by to see our hero – here I am with Balto: