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Glen Keane’s Over the Moon: Meet Fei-Fei and her creators
…together and just learn about love and giving love and sharing love in our own way, within our culture, and to be able to present that to the world was… |
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Nimona‘s production designer Aidan Sugano: creating a future medieval world
…change and spontaneity and focusing on those kind of free, chaotic shapes, and a huge emphasis in movement and rhythm. She embraces the kind of charmingly imperfect, and we wanted… |
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Ratatouille: The Adventure at Disneyland Paris: Pixar Creative Director Roger Gould talks about an “animated” attraction
It was not by chance that Disney first chose to open its European flagship in France — a land whose cultural heritage and storytelling tradition have inspired generations. Disneyland Paris… |
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Into The Forest Of Enchantement – A Disney Musical Adventure at Disneyland Paris
…and it was interacting with the music, the presentations and the performers that inspired me to return again and again. AV: Would you have any anecdote to share about that… |
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A kind interview with the creators of The Boy, The Mole, The Fox And The Horse
…band. She also developed and produced a slate of projects including Robert Valley’s Oscar-nominated and Annie-winning film Pear Cider And Cigarettes; the Emmy-nominated Marvel’s Rocket & Groot and Marvel’s Ant… |
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Disney Historian Christian Renaut on The Best Of Disney’s Animated Features
…inspired the Disney Studio, and also drawing information and interviews from French, British, Belgian, Italian or Spanish sources. It is particularly true as regards layout and architecture. To finish with,… |
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More than meets the ears with Transformers: Earthspark composers Crush Effect
…to get into a scene, more elegant ways to get in and out of things, to shift emotionally on certain stuff. We kinda fell into that. And, you know, Jesse… |
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An interview with author Emily Zemler on Disney Princess: Beyond The Tiara
…Sick Life, with TLC’s Tionne “T-Boz” Watkins. Organized by themes of origins and inspirations, re-imaginings, toys and collectibles, fashion, music, parks, fandom, and more, the book features memorabilia and interviews… |
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A Duet with Glen Keane
…and soul to hand-drawn characters and stories. His first creation with this group is entitled Duet. The animated short blends world-class artistry with innovative rendering and interaction technology for mobile… |
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“With a smile and a song” with music historian James Bohn
…that constitutes a truly essential contribution to Disney music research. Particularly well-documented and based on accurate analysis methods, his book investigates how music functions in Disney animated films and identifies… |
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Pixar’s Paul Abadilla, Sets Art Director on Soul
…overlooked in the human world and infuse that into the design so that, in contrast, when we go to the soul world, everything just feels more fantastic and otherworldly. AV:… |
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Composer Dan Romer dives into the music of Luca and Ciao Alberto
…you get it?” And I answered, “Well, we use two string players overdubbing again and again, playing the same part over and over again.” And he said, “I think it’s… |
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Composer Michael Kramer on He-Man And The Masters Of The Universe
…Imagineering recruited him to write and produce several tracks for Star Wars: Galaxy’s Edge, the highly anticipated new land in both Disneyland and Walt Disney World. Playing in the “Oga’s… |
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Showrunner Rob David and Co-Executive Producer Jeff Matsuda on He-Man
…Masters Of The Universe and to get into what it means, notably for each individual. Everybody has something tremendous inside. If you could discover it, recognize it, and unlock it,… |
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Pixar Character Art Director Deanna Marsigliese plunges into the art of Luca
…over the world, anything hand-carved, anything textural and perfectly imperfect, as we like to say, where you feel and see the hand of the artist in the work. AV: In… |
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Dave Metzger’s Wish Comes True…
…the many timbres of the orchestra, guitars, choir, percussion, and synthesizers, to create an amazing and inspiring score and bring unique colors to the songs. AnimatedViews: How do you see… |
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Comic-Con@Home Coverage
…(Jurassic World: Dominion), and Joseph Kosinski (Top Gun: Maverick) take part in a wide-ranging and in-depth discussion about the craft of directing and projects past, present, and future. Moderated by… |
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2021 Quick Review Recaps
…their competition. The overall art style here is fun and colorful and character designs are varied and interesting. We even get some wonderful hand-drawn styled animation throughout where the original… |
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An Animated History of Dungeons & Dragons Adaptations
…roleplaying game created in 1974 by Gary Gygax and Dave Ameson. The renewed interest in the brand had been the result of the streaming and broadcasting of game sessions from… |
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The Croods: A New Age
…Disney-branded (and I include Pixar in that designation), then I haven’t been the best in keeping up with the recent rush of animated films in the past five years or… |
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Disney historian Didier Ghez takes us for a “Grand Tour” with Walt
…years later in Alice in Wonderland, a clock in Strasbourg that made its way to Disneyland, and on it goes. This long trip was truly a turning point in his… |
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Director Mike Rianda on The Mitchells vs. The Machines
…in 1984, he studied character animation at the California Institute Of The Arts from 2007 to 2010, and made the short films Everybody Dies in 90 Seconds and Work. He… |
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Inside Animation Supervisor Victor Navone’s mind
…emotional and intellectual changes my girls go through as they age, and I was honored to participate in telling a story that might help them to better understand and express… |
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Revolving around Revolting Rhymes with directors Jakob Schuh and Jan Lachauer
…you said, the two main teams were located in Berlin and in Cape Town. The authors of the source material – Dahl and illustrator Quentin Blake – are very much… |
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Didier Ghez’s They Drew As They Pleased series goes full circle
…intense when the story is being invented, and when the characters and locales are being designed. So, the closer you get to the designers and the story artists – in… |
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Production Designer Bill Cone feels at “Eze” in the world of Cars 3
…seasonal fact: we were there in the winter. We went to the Daytona 500 in Florida in February 2015 and then we explored parts of the countryside in North Georgia… |
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“It’s been Dave Metzger all along” – the art of arranging WandaVision theme songs
Do we really need to introduce WandaVision, that unique blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff and Vision—two super-powered beings living idealized suburban lives—begin… |
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The Puppetoon Movie: Volume 2
…opposite the Blu-ray. An informative fold-out booklet helpfully provides information on George Pal and all the films from the set. Ink And Paint: All of the films in the main… |
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DC FanDome Online Event Recap
…reel celebrating a history of DC Comics in cinema (including the Burton Batman movies and Christopher Reeve Superman installments) was Wonder Woman 1984, the highly anticipated sequel which was originally… |
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Production Designer Carlos Zaragoza puts a smile on The Emoji Movie
…see animation as a technique, not a genre. The most important differences among movies are in the stories and the tone. I have worked in comedies in live action and… |
