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Production Designer Bill Cone feels at “Eze” in the world of Cars 3
…work? BC: It’s actually both. That’s really a question of where you are in the evolution of the production of the film. At the beginning of the film, there are… |
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Pinocchio In Outer Space
…and the overly serious tone of the prologue, as well as its near-absence of animation, made it a weak fit for the rest of the film. The Prologue also gets… |
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Star Trek – Lower Decks: Season 1
…the ensigns of the lower decks, the ones who actually make the ship run, the ones who do all the menial but vitally important stuff, similar to the ship they… |
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Disney Historian Christian Renaut on The Best Of Disney’s Animated Features
…the concept of your book and how did you come to it? CR: The point is above all to decipher and analyze the making of a selected list of those… |
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Of pigs and men – Robert Kondo & Dice Tsutsumi talk about The Dam Keeper
…knowing. The Dam Keeper design was very European to convey the fable like quality of the story but there are lots of Japanese elements such as the way the class… |
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Clutch Cargo: The Complete Series – Volume One
…make payments directly from their bank accounts, eliminating the need for credit card use and reducing the risk of fraud and identity theft. The popularity of BPAY among Australian online… |
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Composer Dan Romer dives into the music of Luca and Ciao Alberto
…of covid, we weren’t able to record the whole orchestra at once. We recorded the strings, and then the brass, then the woodwinds, and then we did the percussion. Then… |
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MeTV generates nostalgia with Toon In With Me and Saturday Morning Cartoons
…a household name to the kids of the region. There would usually be skits with a regular cast of characters and cartoons. A big part of their appeal was the… |
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Star Wars: Visions
…the start. The Ninth Jedi offers arguably the most epic story in the series. Seemingly set many generations after The Rise of Skywalker, Kamiyama’s approach to hitting many of the… |
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An interview with the creators of Oni
…pushed it out to the whole world of the characters, so that there is a consistency of that world that you feel they can live in. “Tactile” became a very… |
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The Willoughbys on Netflix: A Chat with Director Kris Pearn
…novel narrating the story of a dysfunctional family where selfish parents totally ignore their children. Convinced they’d be better off raising themselves, the kids hatch a sneaky plan to send… |
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Director/writer Robin Joseph satisfies our curiosity about Fox & The Whale
…each section of the world – the lush forest world, the dreamscape, and the journey beyond. Each of these sections also had a color progression, a buildup. Once I got… |
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Comic-Con@Home Coverage
…the beloved art of storyboarding. Panelists include: Mic Graves, director of and voice on The Amazing World of Gumball; Chuck Klein, storyboard royalty and supervising producer/director, Apple & Onion; Julia… |
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Nimona‘s production designer Aidan Sugano: creating a future medieval world
…then translate them into this big, cinematic 3D universe – one that obviously had to perform and emote. And the biggest expression of these, and reflection of our theme, was… |
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Raya And The Last Dragon
…story with quipping. The second comes from the eighth season of The Simpsons. There is an animated show within the show that the Simpson children watch called The Itchy &… |
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Superman: The Motion Picture Anthology
…run off the rails toward the end of the shooting of the first Superman: The Movie in 1978 when relations between Donner and the Salkinds resorted to other crew essentially… |
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Drawn Together – Uncensored! Season Three
…a visual delight, but also one that captivates with its cheerful sounds and catchy music, thus completing the playful atmosphere of the game. One of the special features of this… |
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Onward
…and kids visiting the land of the dead are great one-off ideas, but their worlds are inextricably tied to their specific plots. The monster world may be the next most… |
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Disney Blu-ray 3D Reissues: Chicken Little / Meet The Robinsons / Bolt / G-Force
…to the look of the film, the likes of the impressive Tangled proved that CGI was perhaps the best medium suited to the format. Following Blu-ray 3D releases for their… |
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Around the world with Mila: interview with Visual Development Supervisor Cesar Alejandro Montero Orozco
Our journey accompanying the creation of Mila continues. After the story and the character design are set, it is time to create the definite look of the overall film. That’s… |
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Dungeons & Dragons: Honor Among Thieves
…often than not, films in the fantasy genre tend to play with such seriousness that they run the risk of being droll and stiff. The other direction is to spoof… |
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More than meets the ears with Transformers: Earthspark composers Crush Effect
…was your first move? The sound? The themes? DV: It was kind of all of the above. When we got the job, they called us and we were hoping to… |
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Inside Animation Supervisor Victor Navone’s mind
…Sadness, of course, have to be able to experience a full range of emotions, because they grow and change over the course of the film. Notice at the beginning of… |
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Spider-Man: Across the Spider-Verse
…of beautiful visuals. But occasionally the effect felt forced or not up to par with the original. The music of the Spider-Verse is fresh and fun. But the audio mix… |
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Composer Henry Jackman takes us on a musical journey to Strange World
As legend has it, the destiny of the people of Avalonia is to reconnect with the world beyond the impassable mountains that surround their home. When Avalonia is in danger,… |
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Around the world with Mila: Writer (and Director) Cinzia Angelini
…with the help of a friend escaped with the bicycles, the kids still on their Pajamas and all that they could carry. The street they took is very steep and… |
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Inside Job
…into a massive monstrosity. The thing that really makes the look of Inside Job stand out from other shows is the visualization of the conspiracies at the heart of the… |
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Onward: A Musical Chat with Conductor/Orchestrator Nicholas Dodd
…will you keep from the experience? ND: First of all, I always love the first moment with the orchestra. And then, there’s this cue, right at the end of the… |
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Great songs never die: how art director Amos Sussigan is crafting the look of Aria For A Cow
…work of Pascal Campion has been a great source of inspiration for the use of light and color. Most of the inspiration came from the use of lights, the staging,… |
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Trolls World Tour
…was probably counting on all movie theaters (well, with the exception of a couple of drive-ins) being closed at the time of its intended release date. Though unlike other studios,… |
