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Into The Hunchback Of Notre Dame Studio Cast Recording with Music Supervisor Michael Kosarin and Orchestrator Michael Starobin
…with him. So, Danny suggested me to Alan. I went up to the place where Alan lived at the time in Katonah, New York, for an interview with him. It… |
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Production Designer Rona Liu on Turning Red
…type of aesthetics that we were trying to marry with the Pixar style. We didn’t want to impress people with something new; we wanted to propose the thing that really… |
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For Smurfs: The Lost Village‘s art department, it’s great to feel blue!
…helping each other and interacting with each other. A Smurf album is like looking at an illustration of Mordillo, Calvo (“La Bête est Morte!”), Dubout or Uderzo with their village… |
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An Animated History of Dungeons & Dragons Adaptations
…as the original OVA series had often been regarded as an elite title within the genre. Mixing the look of medieval culture with their tried-and-true approach in animating stylish action… |
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Drawn Together – Uncensored! Season Three
…evil with a UPS driver. Drawn Together Babies – This entire episode is in flashback, with droll commentary by a stuffy old man with a pipe. Back when they were… |
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The Puppetoon Movie: Volume 2
…time that he imbued many childhoods with wondrous images of fantasy, it was in the 1930s and 1940s with the beloved Puppetoons – produced first in his native Europe, and… |
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Pixar production designer Don Shank in his element with Elemental
…City, where Fire-, Water-, Earth- and Air-residents live together, Elemental introduces Ember – a tough, quick-witted, and fiery young woman – whose friendship with a fun, sappy, go-with-the-flow guy named… |
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Composer Germaine Franco on her enchanting score for Encanto
…I didn’t know that score for Brother Bear, but the funny thing is – it was really difficult to make demos of that sound with the synthesizer and the music… |
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Revolving around Revolting Rhymes with directors Jakob Schuh and Jan Lachauer
…on being adapted mainly into live-action films, often times with his specific warmth clashing slightly with the harshness that VFX-heavy live action can sometimes have. It feels kind of counterintuitive…. |
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Pixar’s Paul Abadilla, Sets Art Director on Soul
…forever, and then you have the opposite with that timeless aspect of the soul world where things are infinite. So, we go from an architectural base with rectangular shapes to… |
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To Infinity And Beyond with Lightyear Production Designer Tim Evatt
…with Alicia, lightspeed is life, and when there’s like a storm coming with Zurg, the environment turns all green, twisters actually happen and the weather turns green for some reason…. |
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“With a smile and a song” with music historian James Bohn
…never met face-to-face with any composer descendants. I mainly corresponded with them through email, Facebook, and telephone. Robert Jason Sherman and Jeffrey Sherman, both sons of Robert Bernard Sherman were… |
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The Croods: A New Age
…parts, I hadn’t actually disliked it, and so it was with a fair amount of anticipation that we returned to the well the next night for more Croodity with A… |
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Dave Metzger’s Wish Comes True…
…to collaborate with them. They brought such a fresh personality to the film. So, yes, working with them was very different from my past experience with Phil Collins on Tarzan… |
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The Willoughbys on Netflix: A Chat with Director Kris Pearn
…to name a few. He was Head of Story on Cloudy With A Chance of Meatballs, and co-directed Cloudy With A Chance of Meatballs 2. Kris has been nominated for… |
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Around the world with Mila: interview with art director Alexandra Kavalova
…They’re in full production mode right now with about 60% of animation approved. They should be 100% wrapped with layout by the end of next month, and they’re moving forward… |
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Animation visionary Glen Keane talks about Nephtali
…freezes for a moment like she’s flying in space with this beautiful, elegant attitude, with the knee angled, and one straight leg, and with the arms in diamond shape on… |
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More than meets the ears with Transformers: Earthspark composers Crush Effect
…risk for them, too, because it could have been a disaster, and six weeks wasted. But they were super happy with what we came up with. And now, we’re with… |
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An interview with the creators of Oni
…producer and co-executive producer of Oni. With its playful humor and fantastical world settings, along with its cinematic storytelling and the compelling depth of the hero’s journey, no doubt Oni… |
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The Legend of Vox Machina
…lie in how familiar fantasy elements are mixed with modern influences, sewn together to create a majestic world that stands out from similar settings without being too different to be… |
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Robert Kondo & Dice Tsutsumi talk about “rising” Moom
…with The Dam Keeper, whose adventure is still going on with the production of a graphic novel series and a feature length film derived from the award-winning short. Now, for… |
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Comic-Con@Home 2021 Coverage
…House for a discussion and exclusive first look at the series with the debut of the official trailer. Panelists include Rhea Seehorn, Jason Lee, and Ryan Flynn with additional special… |
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Pixar Production Designer Harley Jessup “remembers” Coco
…work with that orange or with that magenta, and would work with each other in a way that we have a very multicolored film, so the challenge was not to… |
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Showrunner Rob David and Co-Executive Producer Jeff Matsuda on He-Man
…so happy with the dailies, it was like Christmas every day! We also wanted to make 3D with 2D. Sometimes, I’m not happy with 3D effects, so we went with… |
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An interview with author Emily Zemler on Disney Princess: Beyond The Tiara
…with Belle’s yellow gown, you can see it with Ariel, you can see it with Sleeping Beauty’s pink gown with the points that drew a lot from the costumes of… |
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Twenty Questions with the AV Staff
…Netflix free with our mobile phone service, get Apple+ in a bundle with our other Apple subscriptions, and get the discounted Disney+/Hulu/ESPN bundle. DACEY: Does password sharing count as a… |
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Around the world with Mila: interview with Visual Development Supervisor Cesar Alejandro Montero Orozco
…Philippe (modeling sup) needed someone with a good eye and technical chops to help with the project. I wasn’t sure at that time because I was very busy with work…. |
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Great songs never die: how director Dan Lund is giving a new life to Aria For A Cow
…Art direction-wise, we are still in the scary unknown…everything seems to change with each step of the process but with a solid song and a good attitude towards the creative… |
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Composer Michael Kramer on He-Man And The Masters Of The Universe
…with something in my own language, and the closest thing I could come up with was a song cover. I looked for the best song covers I know, and for… |
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Zack Snyder’s Justice League
…and eat it too, with the extended running time allowing him to balance the childlike enthusiasm he brings to his fisticuffs (of which there are plenty) with the more mature… |
