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Bolt: Cinzia Angelini – one bold, Bolt animator!
…I was animating, about spacing and poses. At the studio we all used to say, “there is James, then nothing, and then the rest of us.” His gift as an… |
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The Best Of 2023: Back To Normal-ish?
…head of the film), and UPA’s second and last feature, Chuck Jones and Abe Levitow’s Gay Purr-ee. And they made many an animation fan happy by finally putting out the… |
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Beauty And The Beast: Diamond Edition (song clip)
…second was 2009’s Up), Beauty and the Beast earned six Academy Award nominations and won two Oscars in 1992 for Best Original Song (Beauty and the Beast) and Best Original… |
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Comic-Con@Home 2021 Coverage
…the Cast and Producers Behind the Adult Animated Comedy Paramount+ and CBS Studios present the cast and executive producers of the new Paramount+ Original adult animated comedy series, The Harper… |
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DC FanDome Online Event Recap
…Snyder proclaiming him “the heart of the movie”). There was also the announcement that the final runtime for the Snyder cut is four hours(!), and that it will be split… |
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Great songs never die: how director Dan Lund is giving a new life to Aria For A Cow
…Broadway history in creating The Little Shop Of Horrors, and film history in creating The Little Mermaid, Beauty And The Beast and Aladdin. But our story starts before that time…. |
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Composer Philip Klein on Wish Dragon
…The same with the bad guys, the bad goons as they are referred to. They kind of chase Din throughout the movie, and they’re very modern, they look like they’re… |
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For Smurfs: The Lost Village‘s art department, it’s great to feel blue!
…Vignali and Dean Gordon and I, protect and bring back the story and the characters into the universe Peyo created. Veronique was very supportive of our work with the design… |
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Composer Michael Kramer on He-Man And The Masters Of The Universe
…And from there, the melody climbs and expresses his thirst for power, just like the theme of Scar by Hans Zimmer in The Lion King. The theme goes stronger and… |
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Pixar production designer Don Shank in his element with Elemental
…of the box’, ‘blue sky,’ and we loved this inspiration of paper sculptures because the focus was on the form and the way the light and shadow would work across… |
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Composer Germaine Franco on her enchanting score for Encanto
…to her. It’s very simple, in 3/4. And then, when the brothers and sisters are getting their magic, it starts to expand and becomes the Encanto theme, the overall theme… |
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The Puppetoon Movie: Volume 2
…would eventually produce or direct such film classics as The Time Machine, The War Of The Words, Destination Moon, and The Wonderful World Of The Brothers Grimm; but the first… |
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A kind interview with the creators of The Boy, The Mole, The Fox And The Horse
…private collections, galleries, and public spaces around the world. His internationally bestselling book, The Boy, The Mole, The Fox And The Horse, was published in October 2019 and holds the… |
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Dave Metzger’s Wish Comes True…
…I reintroduce it. There are other examples throughout the film. And as far as my own themes for the score, there’s The Kingdom Of Rosas, which is the theme at… |
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Around the world with Mila: Producer Andrea Emmes
…it and invite you to share that incredible adventure from the most recent release of the trailer to the release of the very film (and, who knows, maybe to the… |
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Pixar’s Paul Abadilla, Sets Art Director on Soul
…time I wanted to honor and carry through on the vision that the Director and the Production Designer had. Because they are the ones that are leading the visual language… |
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2021 Quick Review Recaps
…that will allow the two secret merman to buy a Vespa and explore the rest of the above-water world. The story is sweet and fun, and the conflicts are not… |
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To Infinity And Beyond with Lightyear Production Designer Tim Evatt
…draw for a film. And I was doing it the Pixar style ways. I mean, they go to a location and research with photos, and then they put all these… |
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Glen Keane’s Over the Moon: Meet Fei-Fei and her creators
…very important in the development of the film, and not only for the notes themselves. The album cover for Pink Floyd’s The Dark Side of the Moon was among the… |
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Ratatouille: The Adventure at Disneyland Paris: Pixar Creative Director Roger Gould talks about an “animated” attraction
…when you’re coming to the load area, you find yourself on the rooftops of Paris, and there are giant rooftops, and giant chimneys, and giant windows and balconies, and you… |
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Disney historian Didier Ghez takes us for a “Grand Tour” with Walt
…helped tremendously. One of them is the autobiography of the Disney concept artist, Mel Shaw, who was active at the Studio in the 1930s and then again in the 1970s… |
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A Duet with Glen Keane
…and then Patrick used the rig and model that we had designed and stretched it and pushed it so it’d fit the drawing. Then I went back in on top… |
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“It’s been Dave Metzger all along” – the art of arranging WandaVision theme songs
…And then there’s “We Got Something Cooking”, the theme song for the third episode. DM: To me, it was always The Partridge Family, and also The Brady Bunch. It’s a… |
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Production Designer Rona Liu on Turning Red
…was still believable, and didn’t look like a toy and a miniature stadium making the audience start to question the look, and taking them out of the emotion of the… |
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The Puppetoon Movie Volume 3
…with just the Puppetoons in chronological order, and kept the hand-drawn ones to the bonus features; but as each film is individually selectable, the viewer can watch them in whatever… |
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Production Designer Carlos Zaragoza puts a smile on The Emoji Movie
…but we wanted them to be appealing and relatable to the audience. AV: The film takes places in two worlds: the “real” one and the one within the Smartphone. They’re… |
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The Croods: A New Age
…what they did in the first one. And the filmmakers know there isn’t much story in all this, because they resort to papering over the cracks with the barrage of… |
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An interview with author Emily Zemler on Disney Princess: Beyond The Tiara
…curious and wanting to go out into the world and find themselves, and then you go do that. That’s really important to them. The way they’re presenting the Disney Princess… |
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“With a smile and a song” with music historian James Bohn
…The Studios built on the expertise they gained with the Mickeys and Silly Symphonies when they started work on Snow White And The Seven Dwarfs. When you consider the importance… |
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Pixar Character Art Director Deanna Marsigliese plunges into the art of Luca
…the modeler massaging the character, me with my drawings, then with the computer. And you’re building the character together. And then, the animators come in. AV: Indeed, on Luca, you… |
