…with” kind of comments but more often than not provides some insight from their perspective. Disney’s Second Screen makes another appearance after literally popping up on Tron: Legacy, Bambi and,…

…was their problem, but when it came to Bambi II – and despite however well that midquel might have been considered to turn out – it was, ultimately, a redundant…

…good as the DisneyToon-ers would get by the time of their Bambi and Tarzan sequels. What doesn’t help is that the film has the unfortunate accident of following one of…

…attempt to link the two endeavors together. The DTVs usually broke down into two camps: the “mid-quel” attempt at filling in “gaps” from the original movie (Bambi II, Tarzan II),…

…into that middle ground where it was still not yet old enough to be labelled a grand classic in the Pinocchio or Bambi mould, and not successful enough to equal…

…her car will again hark back to Cruella’s chasing the puppies, and some recycling of material from Bambi may seem familiar, but just as interesting is the fact that this…

…the company in terms of commercial success. Artistic progress was certainly being made, over films such as the incredibly lush and detailed Pinocchio, the ambitious Fantasia and naturalistic Bambi, but…

…in this set, reconstructing the story using a terrific sound-alike for Walt’s voice as heard in the Story Meetings reconstruction on the Bambi disc. Walt explains how he came across…

…goes from that “serious, epic art” approach from human-Kenai’s screen time to a much more cartoony feel. In a reverse of Bambi’s cute-to-realism switch after the little deer loses his…

…a scene between a cute little deer and Arnie the Dinosaur (more than a little reminiscent of Marv Newland’s earlier Bambi Vs. Godzilla). Well, it turns out that Arnie has…

…found this film too dark and scary. Personally, I fail to see the fuss, given the strong content in many other Disney films (haven’t parents learned from Bambi yet?), but…