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Into The Hunchback Of Notre Dame Studio Cast Recording with Music Supervisor Michael Kosarin and Orchestrator Michael Starobin
…songs, the styles, the models he had in mind when he was writing the songs. Then, the counterpoints are something I added to the material. AV: In the animated film,… |
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Into The Forest Of Enchantement – A Disney Musical Adventure at Disneyland Paris
…creatures representing the four elements, which give them their personality. You can feel it through the colors of their costumes. RootMan bring an organic dimension to the show. Lucille the… |
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Flip The Frog: The Complete Series
…moving on to the second disc. Here, the cartoons grow up, perhaps reflecting more the personalities and concerns of the crew that had moved to the studio from New York…. |
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Production Designer Matthias Lechner attacks The Sea Beast
…The deal with the characters in general was not to get to the “uncanny valley”. We wanted this movie to feel more real, more immersive, but at the same time,… |
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X-Men: The Animated Series – Volume 1
…to concentration camps because one of them assassinated the anti-mutant Senator Kelly. It is then up to the X-Men to find out how this happened and reverse the course of… |
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The Best Of 2023: Back To Normal-ish?
…is the third film from Sony to make the list in the little over a decade we’ve been doing this. It’s just the second sequel to take the top spot,… |
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Bolt: Cinzia Angelini – one bold, Bolt animator!
…was brought to Los Angeles by DreamWorks, where she worked as animator under the supervision of James Baxter on films including The Prince of Egypt, The Road to Eldorado, Spirit:… |
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The Puppetoon Movie: Volume 2
…an air squadron that must find the energy to win an aerial battle. The astounding anthropomorphizing of the planes (as they gallop down the airfield and dodge bullets in the… |
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Great songs never die: how animation students are bringing a fresh touch to Aria For A Cow
…something to prove.“, said Disney animator Dan Lund, the mastermind behind the project. So, the solution was to bring fresh blood to the “Global Barn,” by opening the team to… |
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Batman – The Brave And The Bold: Season One, Part One
…ultimate straight man to a litany of over-the–top villains and colorful comrades-in-arms. From outer space to the ocean depths, from the jungles of the tropics to the labyrinths of modern… |
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Composer Michael Kramer on He-Man And The Masters Of The Universe
…That’s also the message of the show for kids: it’s okay to be who they are. The power is already within them. They just need to find it… Michael Kramer… |
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She-Ra: Princess of Power – Season One, Volume One
…by the evil Hordak and his minions. The Sweatbox Review: After the success of He-Man And The Masters of the Universe, Mattel and Filmation were looking into getting together again… |
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Comic-Con@Home 2021 Coverage
…Once again, Mark Evanier (The Garfield Show) gathers together four of the most-heard actors in the animation business to talk about their craft, to demonstrate the voices they do on… |
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2021 Quick Review Recaps
…a spinoff angle that felt forced in, and an over-the–top and embarrassing attempt to canonize the main character, there’s no denying fans of the show deserved better. Feel free to… |
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For Smurfs: The Lost Village‘s art department, it’s great to feel blue!
…to slightly towards one cheek, depending on the angle the Smurf was seen from and the expression it had. One question was whether to separate the Smurfs’ eyes or to… |
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The Puppetoon Movie Volume 3
…on a dual-layer disc has certainly allowed them proper room, and the mastering has them looking totally authentic to the film sources. Scratch Tracks: The mono tracks sound generally quite… |
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Dave Metzger’s Wish Comes True…
…for the Tony Award for Best Orchestrations for the Tony-winning The Lion King. He also orchestrated the Broadway version of Frozen. Along with having worked on eleven of the 62… |
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Composer Philip Klein on Wish Dragon
…The same with the bad guys, the bad goons as they are referred to. They kind of chase Din throughout the movie, and they’re very modern, they look like they’re… |
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Star Wars: The Clone Wars – A Galaxy Divided
…moon where the Republic hopes to forge a new alliance with the Toydarian Kingdom. There, Ventress tries to persuade the Toydarian King of the Republic’s weakness when she is interrupted… |
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Didier Ghez’s They Drew As They Pleased series goes full circle
…of the highlights was the fact that I had the opportunity to select artwork to illustrate the chapter about Mike Gabriel in the presence of Mike Gabriel himself. He was… |
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“It’s been Dave Metzger all along” – the art of arranging WandaVision theme songs
…they sang in their demo. For the recording, we appealed to other singers, but as they’re used to singing in most of their movies, they blended in with these singers… |
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Production Designer Carlos Zaragoza puts a smile on The Emoji Movie
…but we wanted them to be appealing and relatable to the audience. AV: The film takes places in two worlds: the “real” one and the one within the Smartphone. They’re… |
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Phineas And Ferb: The Movie – Across The 2nd Dimension
…$26.99 Storyboard: The Disney Channel’s Phineas And Ferb become the latest characters to jump from the small screen to a movie-length format, for an adventure through alternate dimensions! The Sweatbox… |
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Disney historian Didier Ghez takes us for a “Grand Tour” with Walt
…in which access to online archives proved to be a game-changer: from the Open Library, to Gallica.bnf.fr, to the online archives of the Daily Mirror and The New York Times…. |
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Warner Archive: Ripley’s Believe It Or Not! – The Complete Vitaphone Shorts Collection
…finally see what they had mostly just heard about, leading the entrepreneur to discover another way to bring his unique brand to the curious: just as the Vitaphone series concluded,… |
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A kind interview with the creators of The Boy, The Mole, The Fox And The Horse
…like people to feel after watching The Boy, The Mole, The Fox and the Horse? CM: I hope they’ll feel better. Or more hopeful. Or lighter. I hope they’ll feel…… |
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Pixar’s Paul Abadilla, Sets Art Director on Soul
…distracting with all these details put together, and 2 – there were versions where we tried architectural-type designs, but they didn’t feel too soul world-like. It was too specific to… |
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Ratatouille: The Adventure at Disneyland Paris: Pixar Creative Director Roger Gould talks about an “animated” attraction
…was an absolutely wonderful and immersive way to bring you into the world of Toy Story and Tom was thinking about how to keep going, to keep enhancing, bringing more… |
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Pixar production designer Don Shank in his element with Elemental
…to the audience. We didn’t want to say that elements were separate; we wanted to say that Element City was a place where elements could live together. That was the… |
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Composer Germaine Franco on her enchanting score for Encanto
…to her. It’s very simple, in 3/4. And then, when the brothers and sisters are getting their magic, it starts to expand and becomes the Encanto theme, the overall theme… |
