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Animation visionary Glen Keane talks about Nephtali
…have a composer in Paris, Arnaud Vernet Le Naun, be sensitive to my animation and really try to bring out as much of that spiritual longing and turmoil and freedom…. |
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Composer Philip Klein on Wish Dragon
…much easier as a composer if you’re out there with them. And it’s so magical when it all come to life. AV: So, you’re a composer, a conductor, and also… |
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Pixar production designer Don Shank in his element with Elemental
…rich environments, so full of details and textures, and at the same time, the characters and the animation are still clear and easy to read. How did you achieve that?… |
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Let’s jump into Hoppers with Daniel Chong and Nicole Grindle
Hoppers, the outrageously original action-packed comedy from Disney and Pixar Animation Studios, uncovers the beautiful and wild world that exists in our own backyard. Directed by Daniel Chong and produced… |
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Composer Germaine Franco on her enchanting score for Encanto
…melodies and themes and motives and harmonies. And then, as I was continuing to write, I was buying those instruments and was inspired by their sound. So, I found the… |
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Bolt: Cinzia Angelini – one bold, Bolt animator!
…gift and managerial talent together in such a way that has us all awestruck. There is an intense loyalty and work ethic that comes from such leadership, and enormous respect… |
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To Infinity And Beyond with Lightyear Production Designer Tim Evatt
…lot of movies since then. On Finding Dory and The Good Dinosaur, learning 3D and Maya helped me compose camera shots. I had mentors like Matt Aspbury and Andy Grisdale… |
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Nimona‘s production designer Aidan Sugano: creating a future medieval world
…represented Nimona and acceptance and freedom and change, could take over an entire scene. And gold and white and blue, kind of the classic hero colors, represented the opposite: non-acceptance,… |
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Flip The Frog: The Complete Series
…were seeing from Disney and Fleischer, and soon would see from Warner Bros. and Universal. Nevertheless, I enjoyed every minute of watching these cartoons, and things got even better when… |
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Production Designer Rona Liu on Turning Red
…on me, and people were chiming in and telling me they had a similar story and felt the same. That was something very special that Erica did because it connects… |
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Production Designer Matthias Lechner attacks The Sea Beast
…up in Germany in 1970 but I have this sentimentality from France and Belgium of the 60s, and from these comic books, and that might be seen a little bit… |
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The Best Of 2024: Back To Basics!
…hand and feeling so much warmer and alive than anything computer graphics can provide. And kudos to Ben Whitehead for the unenviable task of filling in for the late Peter… |
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Into The Forest Of Enchantement – A Disney Musical Adventure at Disneyland Paris
…and crews I had the privilege to work alongside. Disneyland came later for me. GG: And, by the way, Lisa and I met in the employee’s cafeteria at Disneyland! So… |
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Glen Keane’s Over the Moon: Meet Fei-Fei and her creators
…and the people were so warm and friendly. And what was, I guess, the most inspiring to me, was how everything happens around food and the dinner table. And it… |
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Rex Steele – Nazi Smasher: Limited Edition
…the disc. A 3D Progression Reel (2:15) shows off the CG virtual sets and props and the lighting and shadow render passes needed to make up the final composite, and… |
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Disney’s Adventures Of The Gummi Bears: Volume One, Seasons 1-3
…and style apart, Gummi Bears is a much brighter and colorful take on the same genre, and much more kid-friendly and suited to its younger audience (though most striking is… |
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The Best Of 2023: Back To Normal-ish?
…the combined Disney and Warner Bros. centennial turned into a once-in-a-lifetime sedateness. The combined writers and actors strikes, ongoing outbreaks of wars, and political strife, among others, were completely overwhelming…. |
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For Smurfs: The Lost Village‘s art department, it’s great to feel blue!
…the Smurfs and their imaginary world, fully computer animated, and much closer to the tone and style that creator Peyo initially envisioned. And that’s what is particularly exciting in this… |
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A kind interview with the creators of The Boy, The Mole, The Fox And The Horse
…band. She also developed and produced a slate of projects including Robert Valley’s Oscar-nominated and Annie-winning film Pear Cider And Cigarettes; the Emmy-nominated Marvel’s Rocket & Groot and Marvel’s Ant… |
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More than meets the ears with Transformers: Earthspark composers Crush Effect
…really driving!” And then some melody would come out of that, and you just want to add to it and work on it. It’s funny what comes out of melodicism… |
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Twenty Questions with the AV Staff
…do a lot of comic and film collecting, and have lots of signed prints and original art from top comic artists. I cycle a lot. My basement has been nicknamed… |
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An interview with author Emily Zemler on Disney Princess: Beyond The Tiara
…was, Disney changed Jasmine. She became feistier and more adventurous, and that moved on to characters like Pocahontas and Mulan, who are very dynamic and adventurous. And more recently, we’ve… |
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Walt Disney Treasures: Disney Rarities – Celebrated Shorts: 1920s-1960s
…Mouse cartoons to come. Backgrounds are sometimes quite simple, but at least as often they are multi-toned and relatively detailed. Continuity, drama, and comedy are just as good as the… |
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Pixar’s Paul Abadilla, Sets Art Director on Soul
…to tap into was all these binders and folders and boxes which show that he’s also a teacher. He’s a teacher and an aspiring musician, and through his level of… |
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Showrunner Rob David and Co-Executive Producer Jeff Matsuda on He-Man
…and the Masters Of The Universe: Heroes and Villains Guidebook is available to pre-order from Amazon.com! With our deepest thanks to Rob and Jeff, Olivier Mouroux, Stacey Tesser and Mason… |
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A Duet with Glen Keane
…and soul to hand-drawn characters and stories. His first creation with this group is entitled Duet. The animated short blends world-class artistry with innovative rendering and interaction technology for mobile… |
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Composer Dan Romer dives into the music of Luca and Ciao Alberto
…of works well. But I’d rather try to make pizzicato sound emotional and use percussion for comedy. AV: Was it also a way to differentiate the sea and the land… |
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Ratatouille: The Adventure at Disneyland Paris: Pixar Creative Director Roger Gould talks about an “animated” attraction
…when you’re coming to the load area, you find yourself on the rooftops of Paris, and there are giant rooftops, and giant chimneys, and giant windows and balconies, and you… |
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Composer Michael Kramer on He-Man And The Masters Of The Universe
…Imagineering recruited him to write and produce several tracks for Star Wars: Galaxy’s Edge, the highly anticipated new land in both Disneyland and Walt Disney World. Playing in the “Oga’s… |
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Pixar Character Art Director Deanna Marsigliese plunges into the art of Luca
…over the world, anything hand-carved, anything textural and perfectly imperfect, as we like to say, where you feel and see the hand of the artist in the work. AV: In… |
